The Active button toggles bypass: when it’s lit, you’re on. There’s no on switch, so as soon as the mains are connected, the LEDs should light up. I begin by connecting the BOUM between an Akai Pro Force and an RME UFX interface. Although the design is brutishly simple, the BOUM comes across as well built, more akin to a guitar pedal in durability terms and it looks better in the flesh than it does in photos. The rear panel has more ventilation, connections for mains-power input, MIDI in, left/right in/out on 4 ¼-inch jacks, and a ⅛-inbch sidechain input. The top of the unit has six large knobs and eight buttons and a small display, which consists of two rows of white LEDs. The BOUM’s metal housing measures 145x145圆5mm, with four rubber feet and a ventilation port underneath (do not block this, as it gets warm). The package includes the BOUM itself, a mains power supply, a printed manual and a couple of stickers. So is the BOUM worth your time? Shake the room Even the most diehard software-based musician can use some hardware glitz, whether it’s adding something that software doesn’t do so well, or bringing the enjoyment that comes from physical controls. For hardware-based musicians, especially those playing live, a bunch of synths and groove boxes going through a mixer can sound more polished and punchy with some controlled compression dialled in. Wall transformer, 9VAC 500mA, 2.Price £449/$565/€462 Contact OTO MachinesīOUM, from France’s OTO Machines, is a hardware compressor/saturator/filter (or ‘analogue stereo warming unit’ as described on the company’s website) that appears to have something to offer producers of all types. 05 sec to 5.0 sec for 100% recovery with 15dB G.R. 1kHz, 6:1, 6.0msec attack, 0.5 sec release, 0dB gain, 0dBuĠ.2 msec to 200msec for 100% correction with <15dB over threshold input signal Less than 0.1%, no gain reduction 1 kHz, 0dBu +22.5dBu 3% THD, 1kHz, greater than 2kOhm load Super Nice: Layered compressors, reduces compression artifacts Normal: Provides fast attack/release, accurate compression Meter: 8-segment LED Gain Reduction, 0-20 dB Rotary: Threshold, Ratio, Attack Time, Release Time, Output Level The RNC's digital control permits accurate repeatability of your favorite settings.ġ/4" Unbalanced I/O (TS, or TRS for console inserts) L/R in & out, TRS sidechain The front-panel pots and swtiches merely feed DC voltages to the microprocessor and it takes care of adjusting parameters and signal path with components-like sealed-relays and VCAs-located close to the input/output jacks avoiding noise pickup and audio quality reduction due to aging controls! With this blend of technology, the RNC offers the accuracy and precision of digital control with the clean tonal character of an all-analog signal path. Even the problem of "scratchy" pots and switches are avoided: no audio flows through the front-panel controls. This approach, however, still processes the main audio in the analog domain, avoiding the problems associated with digital audio conversion (e.g., latency, digital artifacts). The RNC achieves such high performance at a low cost by using using a microprocessor to replace discrete sidechain components (resistors, diodes, capacitors, opamps, transistors, etc) with chunks of software, thereby reducing the component cost. The RNC yields clean, airy compression with few artifacts and little high-end loss, even at massive gain reduction! The amazing performance is why-even after almost 20 years-many professionals are calling the RNC one of the best sounding compressors for under $2000. The other provides near-invisible signal compression for sensitive material where compression artifacts are less desirable (like natural vocals, acoustic guitar or the program bus). One allows the RNC to be used for special effects, like snappy snares or popping basses. Rugged extruded aluminum and electro-galvanized steel enclosure.No audio flows through front-panel controls, permitting short audio runs to avoid hum/noise pickup.1/4" TRS sidechain insert for special effects.Single TRS-cable attachement to many "insert" jacks.This mode cascades three stereo compressors in series to reduce compression artifacts.
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